Willard and Willette unite for pizza and some plans to find their mother.





I have been making more stop-motion videos which is definitely a steep learning curve! Today I made one of Willard shifting around on his couch and his pet possum, George Jones, climbing up for a snuggle.
Meet Kenneth, Willard’s good-natured and fairly oblivious neighbor. Kenneth is never seen without a can of Coke in hand. His “rig”‘s been in the shop which is why you see him walking in the video. He enjoys circulating the neighborhood and chatting with or TO anyone who is outside. In the video below, Willard was overwhelmed because he wasn’t expecting company and hadn’t rehearsed what he wanted to say. Later, he felt very guilty for his lack of responsiveness. He may be slipping past Kenneth’s place under the cover of darkness (so as to avoid more chit-chat) to leave a 12-pack of Coke to make up for it.

The original pattern I used for Kenneth was actually intended to look like a hippo, and I had visions of a kindly lady hippo creature. But as I cut it up and made it an open mouth version, it evolved into more of a monster. As I played with it as a puppet, a classic old man Vermonter accent emerged from my mouth and suddenly Kenneth was born. Lately, I have been thinking about the rural gathering places that I was constantly in and out of as a youth, and the old men that would sit around and chit chat about not very much at all. I suppose Kenneth emerged from the collective memories of this upbringing: loud, gruff, but ultimately well-meaning old men shuffling around the village making small talk. Kenneth represents the creme-de-la-creme of this cohort, as he never participates in spiteful gossip or begrudges the “flatlanders.”





I have spent the last six years obsessed with learning how to make patterns to sew my own dolls and soft toys, and I had spent the ten or so years prior to that learning how to make my own patterns for women’s clothing. The method I primarily use is called flat pattern drafting and it helps you make three dimensional, sculptural plush (like most of the stuffed animals that you might see in the stores). I will be offering trainings on this topic soon. However, I want to spend some time on some basic concepts that don’t really require this knowledge, and one of those is what I call 2D plush.
What are 2D plush (I started using this term a long time ago but recently realized some others do, as well, so I’m not sure who coined it)? Basically, this is how I refer to plush that are created by creating one, flat shape, sewing two pieces of fabric together in that shape, (usually) turning it and then stuffing it. Of course, once stuffed, it isn’t truly two-dimensional anymore, but three-dimensional! But it doesn’t rely on the pattern to create any of that dimension. And, it’s not nearly as 3d or shapely as a more complicated pattern.
I’ll admit, I didn’t really enjoy 2D plush when handmade plush first started getting more popular. I didn’t like how flat they looked and I also have a habit of wanting things to be as complicated as possible for no good reason–while these seemed simple. I still don’t often make fully 2D plush, but I often use a combination of 2D and 3D flat pattern drafting with my dolls and soft toys. And I have really come around to some of their merits.
If you stick around long enough to learn 3D flat pattern drafting from me, you’ll see it can be a lot of work. There are some situations where 2D is truly the better choice, so why make it harder than it needs to be!

Here are some advantages of 2D:




So there you have it: 2D plush has a lot of room for possibility while keeping the pattern-making and machine sewing aspect nice and simple. It also means that you can dive right in as a plush-maker newbie and familiarize yourself with the fundamentals of fabric choice, sewing, and basic patterning. What questions do you have?
I have continued to work on my creature plush dolls. I have so much fun playing with different mouth shapes and eye placement, and of course, outfits! This creature baby came out quite frog-like, although that wasn’t my intention.


These creatures represent for me a happy marriage of creepy and cute. In this case, I actually think the creepy aspect really hearkens back to the human aspects, whereas the “cute” comes from the monstrous and babyish features. That is not to say that I think humans are exclusively creepy or bad–rather, I’m really interested in human emotions such as surliness, misery, irritability, yearning–all emotions that are NOT happy, precious, cheerful–yet, I find they become endearing when paired with babyish features (this is probably why people love babies that look like grumpy old men).

As I said in my aliens post, I don’t like creepy or monstrous characters that are too one-dimensional. I have to inject some element of human vulnerability. I do enjoy making simple and cheerful dolls with Everybuddies but I also really like making these creatures that have an element of desperation and unease…while still being cute. This froggish baby creature will be available in my shop on Thursday, August 11 at 8:00 PM EST.



Expression is everything for me when it comes to making plush (my child-friendly doll line is somewhat of an exception). Eyes are the windows to the soul, as they say. While I mostly focus on making cute and endearing plush faces, I also love drawing anguished and perturbed faces in my sketchbook. I even like making horrible faces in the mirror and have done for most of my life, just because it makes me laugh (my mother doesn’t find it that funny when I text my scary faces to her).


Anyway, I wanted to find a way to merge my love of the full spectrum of emotions into my plush. I also wanted to try something different in terms of making a simple construction but detailed applique face.
I also thought the simple construction would be a fun opportunity to make a plush that could be heavily weighted and have a different sensory appeal than my usual dolls.
I loved how these came out. I didn’t intend for them to have overt mental health benefits, but the more they evolved, the more I was reminded that it’s important to normalize feeling the way this bat and owl feel—forlorn, tired, forsaken, anguished—however you wish to interpret their weary grimaces.


Their construction enabled me to fill them heavily with pellets, making them squishy and giving them a pleasing “shaky” sound when moved. This, combined with their luxurious fur, makes them irresistible to hold and squeeze. It feels nice to have one resting in your lap while you work on the computer, and they look nice on a shelf as well.
Bat and Owl will be available in my Etsy shop soon–be sure to sign up for my mailing list to be notified when!
Terry is a new plush creature.

I have been riffing on various versions of what I call my “paunchy creature” pattern that I came up with last summer. Recently I began trying different versions of the head and muzzle to produce different creature faces. They are usually a bit of a surprise to me (I don’t sketch an idea, just slash and spread to make a new flat pattern–I know (because of my process) that it will fit together, but I don’t know quite how it will look once sewn and stuffed). With Terry, I knew I wanted a wide but flat/short mouth. After putting it all together, I decided that it needed “lips” and this was the result.
For some reason, out of the blue, it occurred to me that these creatures would look great with wrestling singlets. This started me down the road of wrestling research.

My brother and father loved wrestling when I was younger. In my ongoing effort to like all the things they liked, I tried to enjoy it too, but never did.

My husband also loved wrestling as a kid. As we clicked through different You Tube clips as part of my wrestling garb research, he helped me to appreciate how silly pro wrestling is, and the thrill that viewers got not knowing exactly what would happen (and the slight sense of fear and titillation, since some of those characters were legitimately scary!) My creatures aren’t that scary, but definitely silly AND there is a thrill in not knowing exactly how they will turn out. Terry looks like a gentle soul who isn’t interested in theatrics or body slams–which, as I understand, may have been the case for Andre the Giant as well.
No Holds Barred is an old wrestling phrase (and also the title of a wrestling movie that my brother owned as a kid) and I think it fits my new process with these creatures–try anything, set no limits!
Terry is available in my Etsy shop.